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Woody Allen & Scarlett Johansson in Scoop (Woody Allen, 2006)

Woody Allen & Scarlett Johansson in Scoop (Woody Allen, 2006)

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Marcelinho O’Rapper- Conversa Com Guevara

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(via oldhollywood):

Stills via 2001: A Space Odyssey (1968, dir. Stanley Kubrick)
Interviewer: Why does 2001 seem so affirmative and religious  a film? 
Stanley Kubrick: The God concept is at the heart of this film. It’s unavoidable that it would be, once you believe that the universe is  seething with advanced forms of intelligent life. Just think about it for  a moment. There are a hundred billion stars in the galaxy and a hundred  billion galaxies in the visible universe. Each star is a sun, like our  own, probably with planets around them. The evolution of life, it is  widely believed, comes as an inevitable consequence of a certain amount of  time on a planet in a stable orbit which is not too hot or too cold. First  comes chemical evolution — chance rearrangements of basic matter, then  biological evolution.
Think of the kind of life that may have evolved on those planets over the millennia, and think, too, what relatively giant technological strides  man has made on earth in the six thousand years of his recorded  civilization — a period that is less than a single grain of sand in the  cosmic hourglass. At a time when man’s distant evolutionary ancestors were  just crawling out of the primordial ooze, there must have been  civilizations in the universe sending out their starships to explore the  farthest reaches of the cosmos and conquering all the secrets of nature.  Such cosmic intelligences, growing in knowledge over the aeons, would be as  far removed from man as we are from the ants. They could be in  instantaneous telepathic communication throughout the universe; they might  have achieved total mastery over matter so that they can telekinetically  transport themselves instantly across billions of light years of space; in  their ultimate form they might shed the corporeal shell entirely and exist  as a disembodied immortal consciousness throughout the universe.
Once you begin discussing such possibilities, you realize that the religious implications are inevitable, because all the essential attributes  of such extraterrestrial intelligences are the attributes we give to God.  What we’re really dealing with here is, in fact, a scientific definition of  God. And if these beings of pure intelligence ever did intervene in the  affairs of man, so far removed would their powers be from our own  understanding. How would a sentient ant view the foot that crushes his  anthill — as the action of another being on a higher evolutionary scale  than itself? Or as the divinely terrible intercession of God?
-excerpted from The Film Director as Superstar by Joseph Gelmis

(via oldhollywood):

Stills via 2001: A Space Odyssey (1968, dir. Stanley Kubrick)

Interviewer: Why does 2001 seem so affirmative and religious a film?

Stanley Kubrick: The God concept is at the heart of this film. It’s unavoidable that it would be, once you believe that the universe is seething with advanced forms of intelligent life. Just think about it for a moment. There are a hundred billion stars in the galaxy and a hundred billion galaxies in the visible universe. Each star is a sun, like our own, probably with planets around them. The evolution of life, it is widely believed, comes as an inevitable consequence of a certain amount of time on a planet in a stable orbit which is not too hot or too cold. First comes chemical evolution — chance rearrangements of basic matter, then biological evolution.

Think of the kind of life that may have evolved on those planets over the millennia, and think, too, what relatively giant technological strides man has made on earth in the six thousand years of his recorded civilization — a period that is less than a single grain of sand in the cosmic hourglass. At a time when man’s distant evolutionary ancestors were just crawling out of the primordial ooze, there must have been civilizations in the universe sending out their starships to explore the farthest reaches of the cosmos and conquering all the secrets of nature. Such cosmic intelligences, growing in knowledge over the aeons, would be as far removed from man as we are from the ants. They could be in instantaneous telepathic communication throughout the universe; they might have achieved total mastery over matter so that they can telekinetically transport themselves instantly across billions of light years of space; in their ultimate form they might shed the corporeal shell entirely and exist as a disembodied immortal consciousness throughout the universe.

Once you begin discussing such possibilities, you realize that the religious implications are inevitable, because all the essential attributes of such extraterrestrial intelligences are the attributes we give to God. What we’re really dealing with here is, in fact, a scientific definition of God. And if these beings of pure intelligence ever did intervene in the affairs of man, so far removed would their powers be from our own understanding. How would a sentient ant view the foot that crushes his anthill — as the action of another being on a higher evolutionary scale than itself? Or as the divinely terrible intercession of God?

-excerpted from The Film Director as Superstar by Joseph Gelmis

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(via gamefreaksnz):

Ryan Callanan “RYCA”“Han Double” 560 x 760 mmSilkscreen Print

(via gamefreaksnz):

Ryan Callanan “RYCA”
“Han Double” 560 x 760 mm
Silkscreen Print

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(via movielove):

autostraddle:
Scarlett Johanssson

(via movielove):

autostraddle:

Scarlett Johanssson
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(via gamefreaksnz)
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Massive Attack- Teardrop (House theme)

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(via are2)

(via are2)

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(via popmodernidad):

extra pulp fiction

(via popmodernidad):

extra pulp fiction

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Extremoduro- So payaso

Me he levantado con ella en la cabeza y seguro, seguro, seguro que me acuesto sin que se me halla ido.

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branduponthebrain:

Carl Sagan
by Mark Ulriksen
The New Yorker, 1999

Más imágenes o, en este caso, ilustraciones relacionadas con el Cosmos. Si es que cuando se habla de algo durante un par de días… tumblr te lo recuerda constantemente.

branduponthebrain:

Carl Sagan

by Mark Ulriksen

The New Yorker, 1999

Más imágenes o, en este caso, ilustraciones relacionadas con el Cosmos. Si es que cuando se habla de algo durante un par de días… tumblr te lo recuerda constantemente.

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(via moviesinframes):

Fahrenheit 451, 1966 (dir. François Truffaut)

Hace nada terminé de leerme el libro que, por cierto, está bastante bien. A ver si puedo encontrar la peli para verla que me han comentado que también merece la pena.

(via moviesinframes):

Fahrenheit 451, 1966 (dir. François Truffaut)

Hace nada terminé de leerme el libro que, por cierto, está bastante bien. A ver si puedo encontrar la peli para verla que me han comentado que también merece la pena.

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reptiletrebol:

edipotrebol:

Y no se derrama eh???
(via elpuestodelospitos)

JaJa!! cuanto daria yo ahora mismo por estar con mis amigos disfrutando de unas pintas destas y una buena musica de ambiente

Me sumo a ese deseo my friend, me sumo… (:

reptiletrebol:

edipotrebol:

Y no se derrama eh???

(via elpuestodelospitos)

JaJa!! cuanto daria yo ahora mismo por estar con mis amigos disfrutando de unas pintas destas y una buena musica de ambiente

Me sumo a ese deseo my friend, me sumo… (:

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Alfred

Alfred

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